Panorama

John Galliano exhibition in New York canceled over antisemitic remarks

British designer John Galliano has canceled his planned exhibition at the Met in New York due to criticism of his past antisemitic comments.

1 September 2026Tagblick Newsdesk

AI-generatedWritten by an AI system, editorially responsible — how we work

Archive photo: John Galliano exhibition in New York canceled over antisemitic remarks — Archive photoPhoto: Stadhuismuseum Zierikzee · Wikimedia Commons · CC BY-SA 4.0

The exhibition by British designer John Galliano at the Metropolitan Museum of Art (Met) in New York has been canceled. This was announced on Monday by Galliano himself, who regrets the decision but deemed it necessary given the reactions to his antisemitic remarks from the past.

The exhibition, scheduled for May 2027, was set to mark the official opening of that year's Met Gala. Galliano's history of antisemitic comments, including incidents in 2011, has attracted significant attention and led to the cancellation of the exhibition.

According to HLN, Galliano's selection as the subject of the exhibition has faced strong criticism due to the designer's previous controversial statements. His antisemitic remarks have previously caused considerable controversy and have heavily impacted his career.

In a statement, Galliano explained that after much reflection and consultation with those involved, he has decided that it is best not to move forward with the exhibition at this time. This indicates that public pressure and criticism have been taken seriously.

The decision to cancel the exhibition follows a period of increasing negative publicity and is part of a broader discussion about the impact of such remarks on the art and fashion world. It is not only Galliano who is affected, but it also has wider implications for cultural institutions grappling with similar issues.

The Met Gala, renowned for its extravagant themes and celebrities, will now need to seek a new subject for the 2027 edition. The cancellation of Galliano's exhibition has also highlighted how historically charged statements can influence modern cultural events.

This item was written by an AI system on the basis of the headlines and short teasers of the independently operating newsrooms named below. We disclose this under Art. 50(4), second subparagraph, of Regulation (EU) 2024/1689 (AI Act). Before publication we check origin and verifiability — anything that appears in only one place is not published — as well as language, substance and legally sensitive content. No separate substantive review of each individual item by a natural person takes place; we therefore do not rely on the exemption in Art. 50(4), second subparagraph, of the AI Act. Editorial responsibility for this publication rests with the person named in the imprint (§ 18 Abs. 2 MStV). Please report errors to [email protected] — we will correct or remove the item. Full reports are available from the sources listed.